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Music
Edward Rendon – ‘Hopeless Romantic’ EP
Park Na Rae’s Award Acceptance Speech Resurfaces Amid Abuse And “Injection Auntie” Controversies
‘Connections’ answers and hints for today, December 10
Massive Attack, Brian Eno, Caribou lead hundreds of musicians in calling for Live Nation to drop operations in Israel
“Visual” Female Idol’s Lack Of Talent Becomes Center Of Criticism In Viral Post
Putting the A in Authenticity: Alissa Arnason’s New Album ‘Waltzes’
Experts Weigh In On Whether NewJeans Should Apologize, Triggers Divided Response
Food
Leftover Ham Recipes
Gymnastics – All Levels – Wed, Jan 7
Yeasted Chocolate Rugelach
Our 5 Most-Loved Brownie Recipes
Top Wine News of 2025
Gymnastics – All Levels – Mon, Jan 5
12 Days of Cookies 2025
Tourism
Malaysia hits 1.3 million Indian arrivals, thanks partners for strong support: Ahmad Johanif Mohd Ali
New Year’s Eve Houston 2025: Your Curated Guide to the Biggest Night
Govt plans city-level MICE Convention Promotion Bureaus to strengthen India’s event competitiveness
India, Saudi Arabia sign mutual short-stay visa exemption for official passport holders
Our Favorite Journeys of 2025
Meghalaya’s Me’gong Festival 2025 draws over 55,000 visitors
India’s domestic market 32% larger in 2025 compared to 2020: IATA DG
Cartoons
Review: “The Girl Who Leapt Through Time” Blu-ray: Leaping Into Classic Territory
Oops! (Part 3): Throwing Your Voice/Trick Cycling
A New Year, New Old Mice!!!“Mischievous Mice” (1934)
Thad’s Review – Part 3: “Tom & Jerry: The Golden Era Anthology 1940-1958”
ATLA Movie The Legend Of Aang Loses Theatrical Premiere
Review: An Almost Christmas Story: An Animated Short Filled With Christmas Spirit
Yabba-Dabba-Deux: Celebrating Henry Corden
Anime
2025 Anime Year in Review: The Top 10 – #8
Dead Account #01 — Swipe Left
Netflix Takes ‘Steps’ Toward Its Next Animated Feature
Review: “Mushka”: An Animated Short-Film Delight
Horny Robots #10 — Being The Absolutely Worst Thing Ever™
Review: “Sakamoto Days” Season 2: Back to Assassin School
Kao ni Denai Kashiwada-san to Kao ni Deru Oota-kun (Inexpressive Kashiwada and Expressive Oota) – 11