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Music
‘Wicked: For Good’ review: an emotional but awkward return to Oz
A Night At The Opera: Queen’s Regal Invite Could Not Be Ignored
Active Producer’s “Sexualizing” Comments About 16-Year-Old Idol Resurface Following Bizarre Group Announcement
HYBE Girl Group’s Encore Stage Sparks Massively Divided Reactions
Bob Marley & The Wailers’ ‘Live!’ Celebrates 50 Years With Colored Vinyl Reissue
MIKA Releases Vibrant Single “Immortal Love” and Announces New Album
Abbey Road team up with Gretsch for new limited edition ‘Studiomatic’ guitar
Food
CrossFit – Wed, Dec 24
Chicken Bowls with Tacos
Rugelach Reimagined: Five Delicious New Variations
Cherry Pie Bars
Wendy’s Bullseye BBQ Cheeseburger Review: Is the New BBQ Beast Worth the Hype? (2025)
Cookies and Cream Cookies
Yeasted Chocolate Rugelach
Tourism
Your Complete Guide to New Year’s Eve Melbourne 2025
Join Resorts World Sentosa’s exclusive webinar on 23 Dec to unlock MICE opportunities
The 10 Best Food Cities in Latin America
Via Warsaw to the Golden Gate Bridge: LOT Polish Airlines will fly to San Francisco starting in May 2026
Clarks Collection Unveils New Jaipur Property: Clarks Collection Jagatpura
HQ27 – Where Everyday Moments Turn Into Exceptional Experiences
TAAI North & South – Tamil Nadu regions discuss venue-based engagements in Delhi
Cartoons
TCM Salutes Hanna-Barbera, Week 2
Was “Three Little Bops” Actually a Sequel?
Gundam Base London Announces January 2026 Exclusives
Disney XD Schedule for the Week of December 15th
My Hero Academia: “Izuku Midoriya Rising” Episode 167 Recap
Sony Animation’s GOAT Wants To Be The….Well, You Know
Thad’s Review – Part 1: “Tom & Jerry: The Golden Era Anthology 1940-1958”
Anime
Kao ni Denai Kashiwada-san to Kao ni Deru Oota-kun (Inexpressive Kashiwada and Expressive Oota) – 10
Alma Wants a Family #11 — Recap Montage
Horny Robots #10 — Being The Absolutely Worst Thing Ever™
Review: “Mushka”: An Animated Short-Film Delight
Might I Make One Last Inquiry #09 — The Invading Hordes
Patron Pick Fall 2025: Shabake – 12
Sucks at Sucking #12 — Wallowing in the Past